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| Date |
Event |
Venue |
Tickets  |
| Wed, 7 Apr 2010 8:00 PM
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Elvis Costello |
Mondavi Performing Arts Center
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| Thu, 8 Apr 2010
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Elvis Costello |
Napa Valley Opera House
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| Fri, 9 Apr 2010 7:30 PM
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Elvis Costello |
Scottsdale Performing Arts
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| Sun, 11 Apr 2010 8:00 PM
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Elvis Costello |
Balboa Theatre
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| Mon, 12 Apr 2010
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Elvis Costello |
Christopher Cohan Center
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| Tue, 13 Apr 2010 8:00 PM
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Elvis Costello |
Arlington Theatre
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| Fri, 16 Apr 2010 8:00 PM
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Elvis Costello |
Caesars Atlantic City
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| Sat, 17 Apr 2010 8:00 PM
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Elvis Costello |
IP Casino, Resort & Spa
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| Tue, 20 Apr 2010 7:30 PM
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Elvis Costello |
Orpheum Theater-MA
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| Thu, 22 Apr 2010 8:00 PM
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Elvis Costello |
Warner Theatre
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| Fri, 23 Apr 2010 8:00 PM
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Elvis Costello |
United Palace
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| Sat, 24 Apr 2010
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Elvis Costello |
The National Theater
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| Mon, 26 Apr 2010 7:30 PM
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Elvis Costello |
The Tabernacle
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| Tue, 27 Apr 2010 8:00 PM
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Elvis Costello |
Florida Theatre Jacksonville
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| Thu, 29 Apr 2010
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Elvis Costello |
New Orleans Fair Grounds & Race Course
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| Sat, 1 May 2010
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Elvis Costello |
Wilkes Community College
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| Sat, 15 May 2010
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Elvis Costello |
Peppermill Hotel Casino & Spa
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| Fri, 28 May 2010 8:00 PM
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Elvis Costello |
Morton Meyerson Symphony Center
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| Sat, 29 May 2010 8:00 PM
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Elvis Costello |
Morton Meyerson Symphony Center
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Elvis Costello Tickets Continued
Elvis Costello was an early participant in London's pub rock scene in the
mid-1970s, and later became associated with the punk rock and new wave
musical genres, before establishing himself as a unique and original
voice in the 1980s. His output has been wildly diverse: One critic has
written that "Costello, the pop encyclopedia, can reinvent the past in
his own image".
Elvis Costello was originally marketed as a punk artist. At the time, there
was no term to distinguish between punk bands like The Clash and the Sex
Pistols from other so-called punk bands like Elvis Costello and Blondie.
While many musicians embrace myriad types of music as influences and
preferences, few popular music artists have displayed the same level of
determination and rigor in successfully pursuing projects encompassing
such a wide stylistic range as Costello. From the Motown and Stax
influenced Get Happy!! to the straight country and western of
Almost Blue, the mid-1960s Beatles and Beach Boys influenced
soundscape of Imperial Bedroom to the chamber music recital of
The Juliet Letters, the classic pop of his album with Burt Bacharach and My Flame Burns Blue to the classical
ballet score of Il Sogno, eclectic only begins to describe
Elvis Costello's ambition and achievement.
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